Each artwork is built through multiple layers of paint, mark-making and collage. I begin with energetic scribbles, bold colour combinations and clashing patterns—an instinctive starting point that draws on my background in graphic design and a long-standing relationship with colour, shape and visual rhythm.

Textural paint forms and gouged line work appear throughout the layers; some marks are revealed through sanding back, while others are lost entirely. As the process unfolds, the surfaces become more refined—shapes, symbols and considered colour palettes are cut in and out, revealed and concealed, until the work reaches its own resolution. Sometimes this journey is slow and deliberate, other times it arrives quickly.

The finished paintings are like a visual travel log—records of movement, decision-making and discovery—where traces of the entire journey remain embedded beneath the surface.